Collégiale Notre-Dame de l'Assomption
Number 8 of the historical tour. Stained glasses of the XIVth, XVth and XIXth century, contemporary stained glasses of Henri Broillet, Alexandre Cingria, Yoki and Sergio de Castro
The Calvary above the choir grating depicts Christ on the cross (15th century) flanked by the Virgin Mary and Saint John (late 17th century). The stalls were sculpted in 1464. They represent prophets (wearing robes and hoods) and apostles (barefoot and with halos).
To the right of the entrance, the Gate Chapel houses a sculpture of the Madonna and Child dating from the late 13th century.
The collegiate church itself bears a rich testimony to the history of stained glass, boasting superb medieval works on the right, a late 19th century stained glass devoted to the Madonna in the choir, Cingria’s twelve apostles (1938) in the high windows of the nave, a Marian cycle by Yoki (1968) in the Gate Chapel and Sergio de Castro’s prophets (1981) on the left.
The painted vaulting was designed by Cingria*. However, it was the younger, more agile Yoki* who carried out the work.
*Molasse : a soft rock (grains of sand and siliceous sandstone) which comprises a large majority of the local subsoil, used here as a building stone. It is still quarried throughout the region.
*Calvary : representation of a scene from the passion of Christ through sculptures. The name recalls Mount Calvary where Christ died in Jerusalem.
*Stalls : rows of seats connected to one another in the choir of a church.
*Alexandre Cingria (1879-1945): painter, mosaic artist, decorator and primarily a glass painter incorporating spontaneous designs, bright colors and baroque fantasy.
*Yoki (Emile Aebischer) (1922-2012): decorator, landscape painter and glass painter born in Romont. Numerous pieces of stained glass in Switzerland and abroad. Co-founder of the Swiss Museum of Stained Glass in 1981.